‘a perfect integration of instrumental properties and electronics ... a fragile equilibrium in which tension and virtuosic quality is felt during the entire composition’

    Jury, Prix Ton Bruynèl 2012

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‘a strange, haunting beauty’

    John France, Musicweb International

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‘…a soundworld of ghostly resonances and faint musical breaths.’

    Matthew Connolly, The Times

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‘Croft vastly expands the world within and without the instrument ... heart-achingly beautiful ... like stepping onto another world …’

    Tim Rutherford-Johnson

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‘…dusky hues and microtonal conflict, like entering the musical twilight zone.’

    Kenneth Walton, The Scotsman